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  • Observed & Imagined

    Indian Painting 17th - 19th Century
    12th  October - 16th  November

     

  • In our exhibition and publication Observed & Imagined, we present Indian paintings which demonstrate the richness and diversity of artistic production in India over three centuries. Two works, among our favourites, are folios from the Kedara Kalpa series. Attributed to Purkhu, this series depicts the five sadhakas (devotees) revelling in marvellous sights along the pilgrimage path to Mount Kailasha, Shiva’s abode in the Himalayas. Sitamau, a fascinating yet little-known centre of Indian painting, produced two captivating paintings full of extravagant royal trappings and inscriptions both important and sometimes surprisingly informal. Our two paintings, dated 1847, are signed by Pyar Chand, an extraordinary artist. He produced paintings that embody the vibrant colours and abstract qualities associated with the finest examples of Rajput painting.

     

    It is a particular pleasure for us to revisit a group of around ten paintings which come from a private collection we helped form about twenty years ago. Some of these paintings were published in our catalogues in 2006, 2007, and 2008.

     

    We are indebted to John Seyller for his research and writing contributions, as well as for his generous advice with many aspects of this publication. We would also like to express our heartfelt gratitude to our other authors, Joachim Bautze, Patrick Felix Krüger, and Friederike Weis for collaborating with us.

     

    For the publication of our exhibiton and to view the paintings, please call or email us.

  • HIGHLIGHTS FROM THE EXHIBITION

    • The Five Sadhakas Drink from a Sacred Stream and Worship the Linga on Mount Kailasha An important folio from the Large Kedara Kalpa Series Punjab Hills, Guler or Kangra, attributed to Purkhu and his family workshop, c. 1815 Opaque pigments and gold on paper Folio 35.1 × 47.5 cm; painting 28.8 × 41.1 cm Inscribed with the number ‘11’ in Takri numerals on the top border
      The Five Sadhakas Drink from a Sacred Stream and Worship the Linga on Mount Kailasha
      An important folio from the Large Kedara Kalpa Series
      Punjab Hills, Guler or Kangra, attributed to Purkhu and his family workshop, c. 1815
      Opaque pigments and gold on paper
      Folio 35.1 × 47.5 cm; painting 28.8 × 41.1 cm
      Inscribed with the number ‘11’ in Takri numerals on the top border
      View more details
    • Standing Yogini (Khaḍesvarī) Central India, Raghogarh, c. 1690-700 Opaque pigments on paper 25.2 x 18.2 cm (including border) Inscribed on verso and with Bundi stamp
      Standing Yogini (Khaḍesvarī)
      Central India, Raghogarh, c. 1690-700
      Opaque pigments on paper
      25.2 x 18.2 cm (including border) Inscribed on verso and with Bundi stamp
      View more details
    • Maharajkumar Ratan Singh in Procession Madhya Pradesh, Sitamau, signed by Pyar Chand of Mandsaur, October 1847 Opaque pigments and gold on paper 32.8 × 45.1 cm (including border) Inscribed on recto and verso
      Maharajkumar Ratan Singh in Procession
      Madhya Pradesh, Sitamau, signed by Pyar Chand of Mandsaur, October 1847
      Opaque pigments and gold on paper
      32.8 × 45.1 cm (including border)
      Inscribed on recto and verso
      View more details
  • Chini Khana

    Chini Khana

    Mughal, Agra area, late 17th to mid-18th century
    Mottled red sandstone
    78.5 cm high, 164 cm wide, 6 cm deep

    • Cosmic Man (Lokapurusha) Rajasthan, Bikaner, late 18th century Opaque watercolour on cloth 221 × 103 cm
      Cosmic Man (Lokapurusha)
      Rajasthan, Bikaner, late 18th century
      Opaque watercolour on cloth
      221 × 103 cm
      View more details
    • A Tribal Couple Hunting Blackbuck at Night Mughal, Awadh, c. 1750–1800 Opaque pigments, ink, and gold on paper, laid down on a gold-speckled album page Folio 38 × 47 cm; painting 20 × 27.8 cm
      A Tribal Couple Hunting Blackbuck at Night
      Mughal, Awadh, c. 1750–1800
      Opaque pigments, ink, and gold on paper, laid down on a gold-speckled
      album page
      Folio 38 × 47 cm; painting 20 × 27.8 cm
      View more details
    • Prince Sulaiman Jah in Procession Deccan, Hyderabad, attributed to Venkatchellam, c. 1804 Opaque pigments and gold on paper Folio 29.5 × 41 cm; painting 27.3 × 39 cm
      Prince Sulaiman Jah in Procession
      Deccan, Hyderabad, attributed to Venkatchellam, c. 1804
      Opaque pigments and gold on paper
      Folio 29.5 × 41 cm; painting 27.3 × 39 cm
      View more details
    • A Nautch Dancer and a Nobleman Seated on a Terrace Mughal, Delhi, c. 1825–30 Opaque watercolour and gold on paper, laid down on card Folio 27.2 × 21.2 cm; painting 23.5 × 17.3 cm Inscription on verso in a European hand
      A Nautch Dancer and a Nobleman Seated on a Terrace
      Mughal, Delhi, c. 1825–30
      Opaque watercolour and gold on paper, laid down on card
      Folio 27.2 × 21.2 cm; painting 23.5 × 17.3 cm
      Inscription on verso in a European hand
      View more details
    • An Elephant in Musth Chases a Horseman Rajasthan, Devgarh, attributed to Chokha, c. 1811 Opaque pigments and gold on paper Folio 31.5 × 46.5 cm; painting 22 × 37 cm
      An Elephant in Musth Chases a Horseman
      Rajasthan, Devgarh, attributed to Chokha, c. 1811
      Opaque pigments and gold on paper
      Folio 31.5 × 46.5 cm; painting 22 × 37 cm
      View more details
  • To view the exhibition please call or email the gallery

  • Make an enquiry

 

Location

No. 10, 55- 56 Holland Park

London W11 3RS

 

By appointment only

Nearest Tube station Holland Park

Get in touch

Tel: +44 (0)20 7499 6844

Email: danielle@francescagalloway.com

Email: thea@francescagalloway.com

Email: francesca@francescagalloway.com

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