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Observed & Imagined
Indian Painting 17th - 19th Century
12th October - 16th November
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In our exhibition and publication Observed & Imagined, we present Indian paintings which demonstrate the richness and diversity of artistic production in India over three centuries. Two works, among our favourites, are folios from the Kedara Kalpa series. Attributed to Purkhu, this series depicts the five sadhakas (devotees) revelling in marvellous sights along the pilgrimage path to Mount Kailasha, Shiva’s abode in the Himalayas. Sitamau, a fascinating yet little-known centre of Indian painting, produced two captivating paintings full of extravagant royal trappings and inscriptions both important and sometimes surprisingly informal. Our two paintings, dated 1847, are signed by Pyar Chand, an extraordinary artist. He produced paintings that embody the vibrant colours and abstract qualities associated with the finest examples of Rajput painting.
It is a particular pleasure for us to revisit a group of around ten paintings which come from a private collection we helped form about twenty years ago. Some of these paintings were published in our catalogues in 2006, 2007, and 2008.
We are indebted to John Seyller for his research and writing contributions, as well as for his generous advice with many aspects of this publication. We would also like to express our heartfelt gratitude to our other authors, Joachim Bautze, Patrick Felix Krüger, and Friederike Weis for collaborating with us.
For the publication of our exhibiton and to view the paintings, please call or email us.
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HIGHLIGHTS FROM THE EXHIBITION
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The Five Sadhakas Drink from a Sacred Stream and Worship the Linga on Mount KailashaAn important folio from the Large Kedara Kalpa Series
Punjab Hills, Guler or Kangra, attributed to Purkhu and his family workshop, c. 1815
Opaque pigments and gold on paper
Folio 35.1 × 47.5 cm; painting 28.8 × 41.1 cm
Inscribed with the number ‘11’ in Takri numerals on the top borderView more details -
Standing Yogini (Khaḍesvarī)Central India, Raghogarh, c. 1690-700
Opaque pigments on paper
25.2 x 18.2 cm (including border) Inscribed on verso and with Bundi stampView more details -
Maharajkumar Ratan Singh in ProcessionMadhya Pradesh, Sitamau, signed by Pyar Chand of Mandsaur, October 1847
Opaque pigments and gold on paper
32.8 × 45.1 cm (including border)
Inscribed on recto and versoView more details
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Chini Khana
Mughal, Agra area, late 17th to mid-18th century
Mottled red sandstone
78.5 cm high, 164 cm wide, 6 cm deep -
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Cosmic Man (Lokapurusha)Rajasthan, Bikaner, late 18th century
Opaque watercolour on cloth
221 × 103 cmView more details -
A Tribal Couple Hunting Blackbuck at NightMughal, Awadh, c. 1750–1800
Opaque pigments, ink, and gold on paper, laid down on a gold-speckled
album page
Folio 38 × 47 cm; painting 20 × 27.8 cmView more details -
Prince Sulaiman Jah in ProcessionDeccan, Hyderabad, attributed to Venkatchellam, c. 1804
Opaque pigments and gold on paper
Folio 29.5 × 41 cm; painting 27.3 × 39 cmView more details -
A Nautch Dancer and a Nobleman Seated on a TerraceMughal, Delhi, c. 1825–30
Opaque watercolour and gold on paper, laid down on card
Folio 27.2 × 21.2 cm; painting 23.5 × 17.3 cm
Inscription on verso in a European handView more details -
An Elephant in Musth Chases a HorsemanRajasthan, Devgarh, attributed to Chokha, c. 1811
Opaque pigments and gold on paper
Folio 31.5 × 46.5 cm; painting 22 × 37 cmView more details
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To view the exhibition please call or email the gallery
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