Inscribed on the painting with the principal characters’ names in white devanagari script: Krisna, Raja Muchukanda, Kalajamnabhasama (‘ashes of Kalayavana’)

Inscribed on the verso in Sanskrit in devanagari script with three verses from Canto X, chapter 51 of the Bhagavata Purana:

The Bhagavata Purana, ‘The Ancient Story of God’, is a chronicle of Vishnu, the second member of the Hindu trinity, and of his avatars or incarnations. Books ten and eleven describe the career on earth of Krishna, his eighth incarnation.

As in other miniatures attributed to this artist, the format is large, the style strong and confident, yet retaining a delicacy and refinement that had become the hallmarks of Pahari painting, and carefully written inscriptions in white are to be found on the surface of the painting. Our artist has produced a remarkably bold creation very different from earlier treatments of this subject, where Muchukunda is normally portrayed as a kingly figure. What strikes one immediately here, in place of Purkhu’s cluttered compositions, is the bold simplification of forms that allows the simplified curves of he sage’s body to dominate the composition. Exuberant candystriped rocks encircle the angry sage set in a strangely open landscape dotted with just a few trees and disappearing beyond the far curved horizon. Muchukunda is linked to Krishna by the dominant yellow colour of his shawl and the god’s dhoti. Who could then resist the sage’s angry glare, his screwed up features, as Kalayavana is consumed by the flames and disappears into them.

For another painting from the same series, see Sotheby Parke Bernet, New York, 15 June 1979, lot 140, in which Krishna entices the army of Kalayavana to follow him.

Provenance

Sven Gahlin
Sotheby Parke Bernet June 15 1979, lot 141